Sofonisba Anguissola
Italian
1532-1625
Sofonisba Anguissola was born in Cremona, Lombardy around 1532, the oldest of seven children, six of whom were daughters. Her father, Amilcare Anguissola, was a member of the Genoese minor nobility. Sofonisba's mother, Bianca Ponzone, was also of an affluent family of noble background. Her mother died when Sofonisba was four or five.
Over four generations, the Anguissola family had a strong connection to ancient Carthaginian history and they named their offspring after the great general Hannibal, thus the first daughter was named after the tragic Carthaginian figure Sophonisba.
Amilcare Anguissola encouraged all of his daughters (Sofonisba, Elena, Lucia, Europa, Minerva and Anna Maria) to cultivate and perfect their talents. Four of the sisters (Elena, Lucia, Europa and Anna Maria) became painters, but Sofonisba was by far the most accomplished and renowned. Elena became a nun (Sofonisba painted a portrait of her) and had to quit painting. Both Anna Maria and Europa gave up art upon marrying, while Lucia Anguissola, the best painter of Sophonisba's sisters, died young. The other sister, Minerva, became a writer and Latin scholar. Asdrubale, Sophonisba's brother, studied music and Latin but not painting.
Self-portrait, 1554Her aristocratic father made sure that Sofonisba and her sisters received a well-rounded education that included the fine arts. Anguissola was fourteen years old when her father sent her with her sister Elena to study with Bernardino Campi, a respected portrait and religious painter of the Lombard school, also from Cremona, Sofonisba's home town. When Campi moved to another city, Sofonisba continued her studies with the painter Bernardino Gatti (known as Il Sojaro). Sofonisba's apprenticeship with local painters set a precedent for women to be accepted as students of art.[citation needed] Dates are uncertain, but Anguissola probably continued her studies under Gatti for about three years(1551-1553).
Sophonisba's most important early work is Bernardino Campi Painting Sofonisba Anguissola (c 1550 Pinacoteca Nazionale, Siena). The double portrait depicts her art teacher in the act of painting a portrait of her.
In 1554, at age twenty-two, Sofonisba traveled to Rome, where she spent her time sketching various scenes and people. While in Rome, she met Michelangelo through the help of another painter who knew her work well. Meeting Michelangelo was a great honor for Sofonisba and she had the benefit of being informally trained by the great master.
Lucia, Minerva and Europa Anguissola Playing Chess, 1555. Museum Navrodwe, Poznan, Poland.When he made a request for her to draw a weeping boy, Sofonisba drew 'Child bitten by a crab' and sent it back to Michelangelo, who immediately recognized her talent (this sketch would continue to be discussed and copied for the next fifty years among artists and the aristocracy)
Michelangelo subsequently gave Anguissola sketches from his notebooks to draw in her own style and offered advice on the results. For at least two years Sofonisba continued this informal study, receiving substantial guidance from Michelangelo.
Related Paintings of Sofonisba Anguissola :. | Easel Painting a Devotional Panel | Self-Portrait as an Old Woman | the chess game | Selbstbildnis | Self Portrait | Related Artists: NC WyethAmerican Golden Age Illustrator, 1882-1945
1882-1945,was an American artist and illustrator. He was the star pupil of the artist Howard Pyle, and became one of America's greatest illustrators. During his lifetime, Wyeth created over 3,000 paintings and illustrated 112 books,25 of them for Scribner's, the work for which he is best known. Wyeth was a realist painter just as the camera and photography began to compete with his craft. Sometimes seen as melodramatic, his illustrations were designed to be understood quickly Wyeth who was both a painter and an illustrator, understood the difference, and said in 1908, Miller, Kenneth HayesAmerican Painter, 1876-1952
American painter and teacher. He studied with Kenyon Cox and William Merritt Chase before travelling to Europe in 1899. In the same year he also joined the staff of the New York School of Art. In 1911 he moved to the Art Students League, where he taught intermittently until 1951. As leader of the 14th Street school of urban genre painting, Miller was one of the most influential teachers of American artists since Robert Henri; his students included Isabel Bishop, Edward Hopper, George Bellows, Reginald Marsh and George Tooker (b 1920). His early work consists of romantic depictions of nude or semi-nude figures inhabiting dreamlike landscapes Erik Johan lofgrenErik Johan Löfgren (15. lokakuuta 1825 Turku -- 10. joulukuuta 1884) oli suomalainen taidemaalari.
Löfgrenin vanhemmat olivat kauppias Johan Gabriel Löfgren ja Katarina Erikintytär o.s. Vahlsten. Hän opiskeli T. J. Leglerin johdolla Ruotsin kuninkaallisessa taideakatemiassa Tukholmassa 1842?C1850 ja sitten D??sseldorfin taideakatemiassa O. Mengelbergin ja F. Th. Hildebrandtin johdolla 1853?C1858.
Löfgren toimi taulujen restauroijana Tukholmassa 1842?C1853 ja myöhemmin 1870-luvulla hän oli opettajana Helsingin yliopiston piirustussalissa. Hänen maalaustyylinsä oli lyyrisen romanttista ja hän maalasi muotokuvia sekä historian tapahtumista aiheensa saaneita maalauksia.
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